After months of waiting, the Eventide H9000 studio effects processor has landed in my studio. Since I’ve committed to a quadraphonic performance using the Buchla system, I’ve been assessing the options of dedicated multichannel reverb processors and contemplated the H8000 as a solution. When I checked out the H9000 at NAMM, this seemed like a better solution going forward.

My old H3000 has been a trusty workhorse since I first acquired it in the late 1980s, and it’s my hope that the H9000 will last at least as long.

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